In the war on Christmas, it was the evangelicals who took the first shot (literally)

I grew up in the Bible Belt and spent all of my formative years arguing with fundamentalists so I feel comfortable with the following claim: in the past 40 years, the conservative movement has had a larger impact on the evangelical community than the evangelical community has had on the conservative movement. Obviously in these situations, influence always runs both ways, but the changes on one side have been greater and far more strategically useful. The very fact that we have an alliance between conservative Catholics, Protestants, and Mormons says volumes.

Evangelicals have also been convinced to abandon other positions that did not play well on Fox News. Around this time of year, when my thoughts go back to childhood Christmases, one position in particular always comes to mind.
[Courtesy of Joe Bob Briggs]

Why I am unlikely to write a naked emperor post about Talking Points Memo

At the risk of pointing out the obvious, Donald Trump managed to make most of the media's Very Serious People look awfully foolish, but a few pundits have managed to be remarkably prescient. Paul Krugman was quick to push back against Nate Cohn's multiple announcements of Trump's demise (no doubt pissing off his editors at the NYT, but what's one more black mark at this point?). Jonathan Chait also deserves credit for sharp analyses that broke from the pack. Charles Pierce has had a good run too.

That said, I don't think anyone's done better on the Trump beat than Josh Marshall, though he's been notably reticent about taking victory laps. From the beginning, Marshall has had the best grasp of the relationship between Trump and the Republican base.

Again and again over the last six months we've seen Donald Trump take memes and messages which are either implicit in mainstream Republican politics or explicit on the fringes of conservatism and make them loud and explicit. That might be on bashing Mexican immigrants, banning Muslims or any number of other examples. Now we're seeing the same thing with Vladimir Putin.

As I've written on a number of occasions and as many others have noticed, US Republicans are really, really into Vladimir Putin. Yes, yes, they think he's a menace, threatening us in Ukraine and Syria and so forth, overmanning President Obama on various fronts. But it's been pretty clear that for many Republicans, while they decry him as evil and awful, they actually like the way he acts. He doesn't pussyfoot around. He doesn't do nuance. If he doesn't get respect, he invades. He doesn't dilly-dally around in Syria, he just goes in and starts shooting. My erstwhile pals over at Bloomberg news several weeks ago had a lede that read something to the effect of, Barack Obama has been hemming and hawing about a Syria no fly zone for years, Putin just took over the skies overnight.

Booyah!

Trump is now on this, too. First saying he's proud to have the admiration of such a respected leader like Vladimir Putin. And this morning, well, if Putin occasionally has to kill a domestic critic, at least he knows how to lead.

"The world’s first $200 million STAR WARS fan-film"

[Appeared previously in the pop culture blog.]

I'm not planning to see the new Star Wars film (I'm assuming you've heard about it). I'll probably catch some of it eventually on TV or via some streaming service, but I don't anticipate paying any money for it or giving it two plus dedicated hours of my time. This isn't because I didn't care for the last three or because I haven't liked anything I've seen from the director. I didn't and I haven't but those are minor points. I don't want to see the latest Star Wars film because, with the possible exception of another Genndy Tartakovsky short, I don't want to see any new Star Wars films.

The original trilogy was an attempt by what was then "new Hollywood" to reinvent the classic swashbuckler. It was, of course, incredibly successful commercially and reasonably successful artistically, though the various elements – – Errol Flynn meets Joseph Campbell meets, a bit later, David Lean – – never really coalesced and the problem got only worse as the series progressed .

Where the franchise does still hold some interest is as a cultural and marketing phenomena. I'll have more to say about the marketing later; for the cultural, the best take I've seen comes from Bob Chipman. Chipman is a good critic but he's also something more valuable and more difficult to find: a broadly knowledgeable and self-aware fanboy.

Viewed objectively, the prequels are “bad films” for the same reasons that plenty of other (substantially worse!) special-effects blockbusters are bad films: Poorly scripted, badly acted, tonally askew, etc. But as a young-ish fanboy back in the day, what really bugged me was that they didn’t “feel” STAR WARS enough, by which of course I mean that they didn’t remain slavishly devoted to the aesthetic and trappings I’d grown up obsessed with and didn’t throw out nearly enough references and callbacks and, well… “Star Wars” stuff. Whatever bad things you can say about THE PHANTOM MENACE, you can’t accuse George Lucas of pandering to the audience – that was ATTACK OF THE CLONES

My point is: I’ve long held a sneaky (and depressing) suspicion that if the prequels had been exactly as lacking on a technical filmmaking and storytelling level BUT had also been suitably packed to the gills with the requisite amount of fan-service, said fans would’ve largely overlooked those flaws and still be arguing their merits today.

And I’d been worried that I’d get a chance to test this hypothesis ever since it became clear that Disney and Lucasfilm were intent on selling THE FORCE AWAKENS based almost-exclusively around proving that they’d been listening to the last decade-plus of fanboy complaints; with a pre-release hype machine that ignored almost all discussion of story, themes or characters in favor of: “We’re using practical effects and models again!” “NO midichlorians!” “X-Wings and Tie-Fighters and Storm Troopers and The Falcon!” “Luke, Leia, Han and Chewie are all back!” Heck, they even went so far as to hire JJ Abrams – a remarkably UN-remarkable talent whose only skillset of genuine note is being an exceptional mimic of the style and feel of other peoples’ movies. If ever there was going to be a recipe to make O.G. STAR WARS fans spontaneously combust with joy *regardless* of whether or not the movie was actually any damn good, this was it.

BUT! My hypothesis will have to wait for another day. Because in spite of all that (and, if we’re being far, probably because of some of it) STAR WARS: THE FORCE AWAKENS is a pretty damn good movie. And since it in no way needed to be, I suppose that’s damn impressive in its own right.

Make no mistake though: What we’ve got here is effectively the world’s first $200 million STAR WARS fan-film – and I don’t use that designation to be flippant nor entirely critical. THE FORCE AWAKENS is scratching a nostalgia itch out of pure profit motive, but for good or ill the attachment generations of filmgoers have to the sights, sounds and characters of the original trilogy is a real, palpable thing that exists on a level above the base toy-salesmanship that grew to feed off of it. Yes, the narrative is pretty much a leisurely stroll down memory lane (with frequent detours onto Homage Avenue) but mostly feels organic and natural about it at least until you stop and start questioning the coincidences that have always been a big part of the series’ storytelling.

Our annual Toys-for-Tots post

[Slightly modified from last year.]

A good Christmas can do a lot to take the edge off of a bad year both for children and their parents (and a lot of families are having a bad year). It's the season to pick up a few toys, drop them by the fire station and make some people feel good about themselves during what can be one of the toughest times of the year.

If you're new to the Toys-for-Tots concept, here are the rules I normally use when shopping:

The gifts should be nice enough to sit alone under a tree. The child who gets nothing else should still feel that he or she had a special Christmas. A large stuffed animal, a big metal truck, a large can of Legos with enough pieces to keep up with an active imagination. You can get any of these for around twenty or thirty bucks at Target, Wal-Mart or Costco. Toys-R-Us had some good sales last year;

Shop smart. The better the deals the more toys can go in your cart;

No batteries. (I'm a strong believer in kid power);*

Speaking of kid power, it's impossible to be sedentary while playing with a basketball;

No toys that need lots of accessories;

For games, you're generally better off going with a classic;

No movie or TV show tie-ins. (This one's kind of a personal quirk and I will make some exceptions like Sesame Street);

Look for something durable. These will have to last;

For smaller children, you really can't beat Fisher Price and PlaySkool. Both companies have mastered the art of coming up with cleverly designed toys that children love and that will stand up to generations of energetic and creative play.

* I'd like to soften this position just bit. It's okay for a toy to use batteries, just not to need them. Fisher Price and PlaySkool have both gotten into the habit of adding lights and sounds to classic toys, but when the batteries die, the toys live on, still powered by the energy of children at play.

Believe it or not, I was working on a post arguing that mainstream journalism had declined in quality when this came up

[Update: the message appears to be getting through, at least to public editor Margaret Sullivan.]

There is no publication in the country, perhaps even in the world, with a reputation like that of the New York Times. It is almost universally considered the standard for American newspapers. For that reason, I would argue that journalistic lapses at the New York Times should, in effect, count triple. First, there is the damage that always comes from bad journalism, second there is the additional impact of having unreliable news coming from what is considered a reliable source, and third there is the chilling effect on the standards of other publications. "If they can cut corners, why can't we?"

That is why developments like these are so troubling. Here's Josh Marshall:

I was talking about this with one of our editors as I came back to New York on the train yesterday. And one key piece of reporting was this piece in The New York Times which reported: None of the background checks "uncovered what Ms. Malik had made little effort to hide — that she talked openly on social media about her views on violent jihad."

That seems pretty clear cut. Now it also appears to be false. And as Erik Wemple notes here, it's a huge difference, much more than a simple difference between posting a private message and posting on your timeline. One set of facts is roughly the equivalent to finding out after the fact that Malik had discussed jihad with friends via email. The other makes the entire government counter-terrorism operation seem incompetent. Even unintentionally, it amounts to mainstream media disinformation.

The Times is kinda sorta correcting itself now and saying it will look into how it got this wrong. The LATimes, which actually got the key fact right, is also in CYA mode.

...

I say this with some discomfort. Because I have many friends at the Times. And I am certain I will hear from them. But I highlight this because it is a pattern with the Times - to some extent with the elite media generally, but particularly the Times.

Back when I was reporting on 9/11 and the Iraq War and all the different elements of counter-terrorism and national security policy in the early Bush years, I would do my own reporting but also pore over the best reporting to find nuggets of factual details I would weave, with links and credit, into what I was writing on TPM. The Post was simply peerless for this, a constant wealth of information. The Journal was too, though not quite as full as the Post. And there were of course many others, Knight-Ridder, various newspapers, blogs, etc. But the Times was consistently poor.

Or perhaps a better way to put it was that it was poor for my needs. It aimed at such a general audience and seemed focused on writing the broad, definitive piece that articles were published with such a level of vagueness that there weren't a lot of factual details to work with.

So it wasn't that they were wrong or inaccurate necessarily - just vague and unspecific.

Except when they were totally wrong. We know all about Judith Miller's reporting and that of many others' at the Times that credulously accepted bespoke 'leaks' from government officials in the years just after 9/11. Then there was this more recent example of the FBI criminal probe into Hillary Clinton which turned out not to exist.

But what may bother me even more than this inaccurate and shoddy work is the apparent lack of concern from the NYT. Not only are we seeing the same careless and unprofessional mistakes, we are seeing them made by the same people.

Here's Charles Pierce:

The New York Times has a serious source pollution problem. As is now obvious, somebody fed the paper bad information on San Bernardino murderess Tashfeen Malik's social media habits. It was said that she was posting jihadist screeds on Facebook. The Times hyped the scoop by stating pretty clearly that the government—and the administration running it—slipped up. It was the inspiration for endless bloviating about how "political correctness is killing people" at Tuesday night's Republican debate. Then comes FBI director James Comey to say that, no, there were no public Facebook posts that the government missed because there weren't any at all.

More than a few people have noted that two of the three reporters who were fed this story also had their bylines on the notorious (and thoroughly debunked) piece about how the FBI had launched a "criminal inquiry" into Hillary Rodham Clinton's alleged mishandling of classified materials in her e-mails. Pretty clearly, somebody's peddling bad information and its apparent purpose is to submarine both the current Democratic administration and the prospective one. I'm more concerned about that than I am about the Times' having fallen for it. If the same source is responsible for both of these debacles, then that source should be outed by the reporters who currently are twisting in the wind.

Fall flashback -- If I were writing it today I'd make more of Romano's title -- "This is the way Trump ends"

[I wrote this back in September. It got lost in the confusion until I started digging through the ever-growing draft pile. Apologies for the delay.]

I've meaning to drop the naked emperor thread for a while but I keep coming across interesting examples of the different ways that the respectable, non-partisan press tries to deal with Donald Trump while maintaining all the bizarre conventions it has come to rely on over the past few decades.

The latest case comes from Yahoo's Andrew Romano (late of Newsweek), who manages to come up with an end-of-Trump narrative that doesn't rely on repeating the name Herman Cain over and over. The rise of Trump makes the mainstream press corp incredibly uncomfortable (for reasons that, as discussed previously, have remarkably little to do with him promoting xenophobia and racist birther conspiracy theories).  Romano (who is very conventional -- just look at the Newsweek link) does his best to tell a story with a reassuring ending. Unfortunately, getting there entails various painful-to-watch contortions.

It's bad enough when you have to build you thesis around a handful of man-in-the-street quotes, but when those quotes don't even support your thesis...

Before the battleship event, I walked up and down the long line of ticket holders— an estimated 800 supporters paid as much as $1,000 to behold the candidate in the flesh — and asked a simple question: What do you like most about Trump? Everybody gave me the same answer. Each person phrased it differently, but it all basically boiled down to one thing — the single characteristic, more than wealth, fame or narcissism, that best defines the Donald.

Disrespect.

Trump disrespects politics. He disrespects the process. He disrespects the rhetoric. He disrespects his fellow candidates. And his fans love that, because they really, really disrespect politics, too.

“It’s his frankness,” said Mark Gutierrez, a Marine Corp veteran and retired L.A. Water and Power employee. “He’s not worried about being politically correct. He’s just going to tell it like it is. The things that people are feeling, he’s saying.”

His wife, Darlene, nodded. “There’s too much political correctness,” she told me. “People are tired of listening to all these meek and regular promises that the candidates make every four years. Trump just says, ‘This is the way it’s going to be.’”

Further back in the line, a clothing designer named Gina Calabrase echoed what the Gutierrezes were saying. “Instead of being wishy-washy, Trump makes decisions,” Calabrase explained. “He’s saying things that a lot of people aren’t going to like. Usually, a politician would back off in that case. But Trump sticks to it. He owns it — like it or not.”

When Trump supporters talk about their candidate being frank and decisive, Romano hears "disrespect." This probably tells us far more about the reporter than about the reportee.

I really don't snack that much

From Ken Levine:

Have you noticed how, as journalists have gotten worse, comedians have started stepping up to fill the gap?

I told you to keep an eye on these College Humor guys.

In the Heart of the Sea – – another example of the strange economics of filmmaking technology

As previously mentioned, the digital revolution has increased the productivity of pretty much everybody involved in the filmmaking process but the greatest impact has been in the field of visual effects. The time and money required to get the impressive and impossible on the screen have decreased by orders of magnitude. Which makes it all the more strange that increasingly visual effects are causing long delays and huge cost overruns.

From Deadline (emphasis added):

In fact, the biggest problem for ITHOTS was its lofty production cost. I understand that the cost originally started at $85M but swelled as the director and his crew contended with the challenges of shooting on the water (always costly), followed by VFX which was the primary reason why the film was delayed from its original March 13 date to December 11.

Distracted by the large flock of black swans

[I'm rushing this out and scheduling an early posting because, as previously suggested, Jonathan Chait is writing a very sharp series of post along these lines and I'm afraid he's is going to beat me to the punch.]

In recent years, a large part of the foundation of the GOP strategy has been the assumption that, if you get base voters angry enough and frightened enough, they will show up to vote (even in off year elections) and they will never vote for the Democrat (even when they really dislike the Republican candidate).

Capitalizing on that assumption has always been something of a balancing act, particularly when you constantly attack the legitimacy of the electoral system ("The system is rigged!" "The last election was stolen!" "Make sure to vote!"). With the advent of the Tea Party movement, it's gotten even more difficult to maintain that balance.

I don't want to get sucked into trying to guess what constitute reasonable probabilities here – – I'm just throwing out scenarios – – but it certainly does seem likely that, if he doesn't get the nomination and does not choose to run as an independent, Trump will still make trouble and things will get ugly.

Keep in mind, Trump's base started out as the birther movement. They came into this primed to see conspiracies against them. Now the RNC has given them what appears to be an actual conspiracy to focus on.

I don't think we can entirely rule out the possibility of Trump calling for a boycott of the vote to protest his treatment but even if it doesn't come to that, it seems probable that, should we see a great deal of bitterness and paranoia after the convention, the result will not help Republican turnout.

What kind of magnitude would we be talking about? It's still too early to say and even if it weren't, I wouldn't feel qualified to speculate, but it would be an interesting conversation to follow among political scientists.

At the very least, the possibility of something big happening down-ballot, though perhaps still not likely, is more likely than it was in the days before Trump.

Damn you, Jonathan Chait

I've been meaning to write a post walking through the different scenarios for the GOP primary (working title: "I was distracted by the flock of black swans"):

I. Trump gets the nomination

II. Trump doesn't and instead
     A. Fades away and/or decides to play nice (that second one just got even less likely)
     B. Runs as an independent
     C. Causes as much trouble as possible

Unfortunately, while I've been procrastinating, Chait has been writing, producing a string of really sharp posts that are on track to anticipate all of the major points I wanted to make. He already gave us the definitive brief analysis of Scenario I and today he covers most of what I wanted to say about II.B.

Chait is the only news analyst I've seen so far who is seriously thinking through the GOP's dilemma: they can't afford to keep Trump but they can't afford to lose his supporters. The Republican model requires very high turn-out from the base. Pissing off a large segment of those voters could have significant consequences.

Chait actually goes so far as to suggest that the party's best way out of this dilemma might be the much-feared third party run:

2. A Trump independent candidacy would have down-ballot benefits for the party. Trump would split apart the Republican vote at the presidential level, but the socially conservative white working-class voters who turn out to vote for him would overwhelmingly pull the lever for Republicans in Congress (and in state elections). The deepest risk Republicans face is the prospect of an electoral wipeout that puts its control of Congress at risk. An independent Trump candidacy would close off such a prospect.

"Confessions of a Republican," Johnson, 1964

I don't want to draw too strong an analogy here -- this is a very different time --but there certainly are parallels. Compare this with the wording of some recent Brooks' columns on the Donald. Of course, the acid test for Brooks will come if Trump or Cruz gets the nomination.

Brooks on a good day

Critics of David Brooks (myself included) have a tendency to focus solely on the stumbles, those times when the misdirection fails, the shtick grows thin , and the factual misstatements becoome simply too blatant to ignore.

This does a disservice to Brooks, but more importantly, it undercuts the effectiveness of the criticisms. Even if you do not like David Brooks (particularly if you don't like David Brooks) you should, from time to time, check out what he does on a good day.

Last Friday's column provides a good example. The central thesis is, at best, disingenuous – – though Trump remains a longshot, you cannot completely rule out the possibility of a nomination – – but once you get past the basic dishonesty of the title, the rest of the article is about as smooth and well executed as anyone could hope for.

Take the opening analogy:

A little while ago I went rug shopping. Four rugs were laid out on the floor and among them was one with a pink motif that was dazzlingly beautiful. It was complex and sophisticated. If you had asked me at that moment which rug I wanted, I would have said the pink one.

This conviction lasted about five minutes. But then my mentality flipped and I started asking some questions. Would the furniture go with this rug? Would this rug clash with the wall hangings? Would I get tired of its electric vibrancy?

Suddenly a subtler and more prosaic blue rug grabbed center stage. The rugs had not changed, but suddenly I wanted the blue rug. The pink rug had done an excellent job of being eye-popping on its own. The blue rug was doing an excellent job of being a rug I could enjoy living with.

The rug story is simple and accessible, but it does a good job capturing the underlying dynamic. Home furnishings are definitely an area where most of us tend to initially gravitate toward the flashy before having second thoughts and opting for the more tasteful. It is not at all unreasonable to suggest that voting might follow a similar pattern .

The rest of the piece follows very much in the same thing. Reasonable, thoughtful and scholarly, making good points and citing the right people, from Nate Silver to Montaigne. No one is better at projecting a calm, professorial tone than Brooks, even when he's whistling past the graveyard.

Whose budget plans are more realistic, Trump or Kasich? (this is not a rhetorical question)*

Nor is it one with an obvious answer, at least not according Jonathan Chait, who takes apart all of the candidate's claims, starting with his habit of taking credit for the balanced budgets of the nineties:

The key element of the Kasich myth is the 1997 Balanced Budget Act, which he credits with producing surpluses in the 1990s. “I balanced the budget in Washington as a chief architect,” he claimed at the last Republican debate, echoing a frequent boast. Kasich’s iteration of his origin story is almost a pure inversion of fiscal reality.
...

Kasich, in other words, opposed the two main laws that created the balanced budget in the 1990s, and supported one that had nothing to do with it. He continues to maintain that he would oppose any tax increase, even a budget deal that combined a 10-1 ratio of spending cuts to tax hikes. 

It is worth taking a moment to note that most of the same publications and often the same journalists who labeled Al Gore a self-aggrandizing fabulist for making entirely accurate statements about supporting the early funding of the internet have largely allowed Kasich's fables to go unchallenged.

Building upon his almost entirely imagined record as mastermind of the 1990s budget surplus, Kasich touts what he and his press clippings call his “plan” to balance the budget in eight years. In actuality, it is not a plan at all. Kasich has a bunch of numbers for spending, but he does not say what he would do to arrive at those numbers. For instance, he would freeze all domestic discretionary spending, a wide catch-all category of general federal spending on scientific research, infrastructure, law enforcement, and many other things. This spending has absorbed deep cuts for several years — so deep, in fact, that Republicans in Congress have had trouble funding tolerable savings and compromised on a plan to cancel out some of the additional cutting. Kasich proposes to hold spending on this category constant in nominal dollars, which means that, accounting for population growth and inflation, services will have to be reduced every year. Kasich does not specify how he would allocate those service cuts.

...

Balancing that off is Kasich’s plan to cut taxes. There is not yet an official score for the cost of Kasich’s plan, a fact that by itself nullifies the campaign's claim to have a plan to balance the budget. You can't bring revenues and outlays into line if you have no idea what revenue levels will be. Imagine a business claiming it has a target date for breaking even, and then conceding it has no idea whatsoever what its earnings will be.

By the eyeball test, the scale of the revenue lost by Kasich's tax cuts will be absolutely massive. Kasich would cut the top tax rate to 28 percent from its current 39.6 percent rate. He would cut the capital gains tax rate from 25 percent to 15 percent, cut the estate tax rate from 40 percent to zero, cut the business tax rate from 35 percent to 25 percent, and allow businesses to immediately write off the full cost of all investments — a tax cut for the rich of a scale never before seen in American history. Kasich would also expand the Earned Income Tax Credit for the working poor, which is nice, though it further raises questions as to where he will find the trillions of dollars in savings to pay for all this. Kasich’s campaign tells me that he believes deep tax cuts will encourage faster growth, undeterred by the clear past failure of his beliefs about tax rates and growth.

In sum, it is inaccurate to say Kasich has a plan to balance the budget. It would be accurate to say that he is promising to eliminate the deficit, but he has a plan to dramatically increase it, at least if you define plan to mean the actual change to taxes and spending that he has specified.

As we've frequently noted before, today's journalists love not just narratives, but specifically simplistic, cliched narratives. Once they have latched onto one of these stories, they will go to great lengths to maintain it. This goes beyond selection bias. Many, perhaps most, reporters and editors will actively play down those facts that contradict conventional wisdom and play up or even invent facts that support it (not to name any names).

The press has long since made its casting decisions when it comes to Kasich. Frank, mature, moderate, dull but reliable. Nothing he says or does at this point is going to change the spin. He can lay out a supply-sider vision so extreme it would have both Reagan and Kemp spinning in their graves. He can insist the science is undecided on global warming. He can propose a new federal agency to spread Judeo-Christian values throughout the world as a way to combat the Islamic State. None of this will matter.

That's how typecasting works.

* I wrote this a few days a few days ago before Trump upped the crazy yet again. I might have approached this differently today and probably used a different title, but I still stand by the main points.

Note to self:

Start checking Michael Hiltzik's column on a regular basis.




Solving the inversion crisis: How the U.S. can keep companies at home


What George F. Will gets wrong about the progressive income tax


And following up on the last post...

The attack on climate change scientists continues in Washington

The war on data

I've been sitting on this for a while, trying to decide how best to weave it into one of our ongoing threads about the increasingly blatant attacks on important scientific research, about how the conservative movement's experiment in information management has broken down causing the propaganda and conspiracy theories intended for the foot soldiers to propagate among the generals, about the ever clearer absurdity of the establishment press's insistence that both parties are equally to blame.

But there is simply too much here. Just read it.

The House science committee is worse than the Benghazi committee by David Roberts

This American Life had two thirds of a great episode on marketing

Don't get me wrong. The whole episode (569: Put a Bow on It) is very good, but only two of the three segments concern branding and marketing. The first explores the process behind developing the increasingly bizarre junk food hybrids that are coming to dominate the industry.

Zoe Chace
There are a few reasons that guys like these are churning through these food mashups right now. One big one is fast food is losing market share to places like Chipotle, Panera, more upscale, healthier. So a way for fast food to compete is to go in the other direction-- downscale, greasier, sell to their core customers, 18 to 34-year-old guys. Though industry analysts told me it's nearly as many women as men.

And of course, there's money to be made in selling a sandwich that makes people want to take a picture of themselves while they eat it, but only to a point. The question is, will they eat it twice? The Double Down, you know the one where the chicken is the bun, as groundbreaking as it was, it didn't sell that great after people tried it once. Brad, Bruce, Mark, and Eric say it's too expensive to roll out a new product that you'd never order twice.

Newscaster
This is a taco that's the talk of the town.

Zoe Chace
What they want is something that food industry people say Taco Bell did better than anybody in 2012, when they released that taco whose shell was a Dorito.

Newscaster
It's what one marketing consultant calls a marriage made in belly busting heaven. Doritos, the Super Bowl brand that helped turn America into a nation of chunky chip munchers, providing a nacho cheese flavored shell.

Zoe Chace
The Doritos Locos Taco sold and sold and sold and sold-- $375 million in its first year. This is an amazing year for Taco Bell. Every sandwich that arrives on our plates here in Hardee's test kitchen, that is the goal.

From a marketing standpoint, the most interesting part was the way the experts considered both the appeal of the food and the salability of the concept.

Even more fascinating from a marketing perspective is the third segment. TAL called up the best advertising and PR people in the business and asked them what they would propose if Volkswagen had engaged them to rehabilitate its badly damaged brand. There is a Jack in the Box connection with both segments, but surprisingly it's stronger in the third (strong enough that you might want to check out the videos before listening to the episode).

Obscure comic book heroes battle (the idea of) cost disease

Before we get started, one big caveat: the piece I'm linking to seems to be based on rumors and speculation. Back in the Nineteenth Century, newspaper stories often started with the disclaimer "Important if true." For stories like this, we probably start with "interesting if true."

Fans of the DC Television Universe might have some reason to worry. While the creation of the first season of Legends of Tomorrow is underway, it has come out that the CW may have overextended themselves in regards to budget. It seems that the first season of the Legends of Tomorrow is more expensive than the network originally anticipated. Intel from Bleeding Cool is now claiming that the CW may be nixing the idea of a second season, knowing that show will likely continue to become more expensive as it grows. Yikes.

...

What is it about Legends of Tomorrow that makes it so much more expensive than its predecessor? I can only imagine the multitude of visual and special effects are what is taking such a toll on its budget. Afterall, in a show that revolves around time travel, and where each protagonist has a unique set of superpowers, the effects team must have their hands full. Maybe having one superpowered lead in both Arrow and The Flash allowed for a more budget-friendly production, rather than having to stretch funds across a baker's dozen worth of heroes.

Assuming both the rumor and the speculation are sound (and there's lots of other evidence that Hollywood has a growing problem with budget spirals), this raises some perplexing questions.

These days, the explanation de jour for cost spirals is...

Baumol's cost disease (also known as the Baumol Effect) is a phenomenon described by William J. Baumol and William G. Bowen in the 1960s. It involves a rise of salaries in jobs that have experienced no increase of labor productivity in response to rising salaries in other jobs which did experience such labor productivity growth. This seemingly goes against the theory in classical economics that wages are closely tied to labor productivity changes.

If there's an economist in house, I'd greatly appreciate a knowledgeable take on this, but it would seem we should a disproportionate amount of money going to the people who have had the smallest gains in productivity.

As mentioned before, technology has improved productivity in film and video by orders of magnitude. These changes have affected every part of the industry but the biggest jump has been in what used to be called special effects. Ray Harryhausen's standard answer to the question "can you do ______" was that he could do anything if given the time and the money, and that was largely true. What has changed is mainly speed and cost.

Here's the weird part, though. The budgets are usually spiraling out of control not because studios are spending that much more on people like writers (whose productivity hasn't grown that much), but because they are pouring money into those areas where productivity has exploded.

XKCD polio

In addition to making an important point about an important world health initiative, Randall Munroe does a beautiful job satirizing the common impulse to abandon the effective for the trendy.

Argument by outlier

Perhaps "argument" is going a bit far -- the ideas don't really cohere enough to qualify for that -- but you have to grant the outlier part.

Kevin Carey has just discovered that people who stack up normal debt getting a bachelor's, then take out more loans to go to law school and don't graduate, then take out more loans to go to grad school and don't graduate (and also use student loans for other things like child care), then get a life-threatening autoimmune disease, then get screwed in a divorce and then take a string of low paying jobs and make a number of really bad financial decisions can rack up quite a tab.

We should probably stop here for now. There is nothing instructive in the case of Carey's example, Liz Kelley. The only lesson one can reasonably draw here is that people with bad luck and incredibly bad judgement tend to fare poorly in life.

Joseph and I are planning to come back to the rest of Carey's hopelessly muddled reasoning later. That's not to say that everything he says is wrong (life is not a knight/knave puzzle). The system is horrible, just not necessarily for the reasons he gives. Subsidizing higher education through student loans creates all sorts of perverse incentives, it sends too much money to undeserving institutions and it allows a few people like Kelley to spend far too much taxpayer money. It isn't difficult to argue against this system, but if the NYT Upshot wants to maintain its reputation, the paper should probably find someone other than Carey to make the case.

Kruzno -- the beta

Back when I was teaching secondary mathematics, I made extensive use of games and puzzles. In addition to building a pretty good collection, I also developed a few of my own. Of the board games for the, the one that played the best and got the most positive feedback was a hexagonal checkers variant called Kruzno.

A while back, I decided to put together a beta version of the game and see what kind of response it got. I commissioned a well qualified and quite reasonable professional to do the art. I had a local company produce a small run of boards and boxes, but I decided to forgo custom pieces and instead stick with chessmen which were available off-the-shelf (it is far easier to do a small inexpensive batch of paper products then plastic products).

The project has since been pushed to the back burner, at least until I have the time to put together a mobile version of the game. In the meantime, I decided to set up a fulfillment-by-Amazon store (which is a surprisingly low maintenance option if you want to try some small scale retailing).

I hate to oversell a beta, but I am quite proud of the game and besides, every house should have a hex board. I will be going up the abstract strategy thread again both here and at the teaching site, so if any of the upcoming discussions make you curious, drop by the Amazon page and take a look.

I haven't posted this in a while...

... which is a shame because there's a useful lesson here: even the guy with an axe draws the line somewhere.

I actually knew "Entrance of the Gladiators"

Just recently I was thinking how nice it is living in an age that has largely eradicated the nagging question. I am not talking about big, important questions like but rather trivial ones like "who said that?" or "what's the name of that song?" or "where have I seen that actor before?"

Before Google and Wikipedia and smart phones, life for many of us was a constant itching sensation of trying to recall some obscure name or fact. Of course, search engines do work better with lyrics, which is why these two lists of instrumentals are so nice.

Happy Black Friday

I got up at four in the morning just to get a drop on all of the other Black Friday bloggers.

"As God as my witness..." is my second favorite Thanksgiving episode line [Repost]

If you watch this and you could swear you remember Johnny and Mr. Carlson discussing Pink Floyd, you're not imagining things. Hulu uses the DVD edit which cuts out almost all of the copyrighted music. .

As for my favorite line, it comes from the Buffy episode "Pangs" and it requires a bit of a set up (which is a pain because it makes it next to impossible to work into a conversation).

Buffy's luckless friend Xander had accidentally violated a native American grave yard and, in addition to freeing a vengeful spirit, was been cursed with all of the diseases Europeans brought to the Americas.

Spike: I just can't take all this mamby-pamby boo-hooing about the bloody Indians.
Willow: Uh, the preferred term is...
Spike: You won. All right? You came in and you killed them and you took their land. That's what conquering nations do. It's what Caesar did, and he's not goin' around saying, "I came, I conquered, I felt really bad about it." The history of the world is not people making friends. You had better weapons, and you massacred them. End of story.
Buffy: Well, I think the Spaniards actually did a lot of - Not that I don't like Spaniards.
Spike: Listen to you. How you gonna fight anyone with that attitude?
Willow: We don't wanna fight anyone.
Buffy: I just wanna have Thanksgiving.
Spike: Heh heh. Yeah... Good luck.
Willow: Well, if we could talk to him...
Spike: You exterminated his race. What could you possibly say that would make him feel better? It's kill or be killed here. Take your bloody pick.
Xander: Maybe it's the syphilis talking, but, some of that made sense.

Breaking news: New York Times spots naked emperor at GOP royal court

[In case you missed the naked emperor thread up until now, click here, here and here.]

As mentioned before, the establishment press, as always best represented by the New York Times, is on the horns of a dilemma. The thought of Donald Trump getting the Republican nomination for president is unthinkable for any number of reasons. Unfortunately however, virtually all of Trump's abuses and his most offensive tactics were made possible by years of declining journalistic standards at the very same institutions now decrying him. As a result, they cannot effectively criticize Trump without acknowledging their own role in his creation.

We need mea culpas and instead we get exercises in self-justification and selective memory like this recent NYT op-ed:

Mr. Trump relies on social media to spread his views. This is convenient because there’s no need to respond to questions about his fabrications. That makes it imperative that other forms of media challenge him.

I actually laughed out loud when I read that one. The asking of challenging questions has long been the exception, almost entirely reserved for safe targets. For a variety of reasons, the original three establishment GOP candidates were able to say nearly anything without danger of follow-up. Bush's 4%. Rubio's vanishing refundable tax credit. Walker's numerous scandals.

It wasn't just this paragraph. Throughout the entire piece, the rest of the GOP goes unmentioned other than one brief generic reference to the "Republican field." Someone unfamiliar with the campaign might come away with the impression that Trump is the only Republican candidate spreading debunked lies, using alarmist rhetoric, and playing on the Islamophobia of the base.

The editorial board of the NYT must be aware that Rubio (the wonky but cute one) is talking about civilizational struggles and comparing Muslims to Nazis. Kasich is "proposing a new federal agency to spread Judeo-Christian values throughout the world as a way to combat the Islamic State." Bush is for accepting refugees along as they're mainly Christian. Cruz is... oh, hell, do I even need to go there?

Institutions like the New York Times are still looking for ways to be selective in their condemnation of bigotry and dishonesty, avoiding examples that highlight their own complicity. This makes their arguments ineffective (not to mention maddeningly smug).

[typo fixed]

Bateman on the Turkey/Russia standoff

Like I said before, if you want an informed opinion...

At least Krauthammer's position on Eastasia remains consistent

We've already started a thread on the conservative media establishment actually being primarily partisan rather than ideologically conservative, resulting in, among other things, sharp turns on various issues when partisan interests shift. I've also been meaning to start a thread on the effects of feeding your party core a steady stream, not just of lies but of mutually contradictory misinformation. I'd argue that, to understand the Tea Party, you have to consider the tension and pent-up anger caused by all the resulting cognitive dissonance.

When I finally get around to making that argument, I need to remember to mention this sharp and funny piece by Jonathan Chait even though we aren't in complete agreement. What he puts down to nationalism, I see as a cynical attempt to manipulate the base. I strongly doubt that Charles Krauthammer and company "fervently believe" much of anything they say on Fox News.

Extreme nationalism, by its nature, requires its adherents to form judgments about the nature of foreign countries that are clear-cut, but also wildly inconsistent over time, as the interests and alliances of one’s own country inevitably mutate. The current state of right-wing thought has gone beyond the natural sympathy one might feel toward the people of France in the wake of the barbaric murders in Paris toward a new line best expressed by Charles Krauthammer, the leading party theorist. “If the other goal of the Paris massacre was to frighten France out of the air campaign in Syria — the way Spain withdrew from the Iraq war after the terrorist attack on its trains in 2004 — they picked the wrong country,” writes Krauthammer. “France is a serious post-colonial power, as demonstrated in Ivory Coast, the Central African Republic and Mali, which France saved from an Islamist takeover in 2013.” Those French colors don’t run.

Conservatives who now fervently believe they have always been the strongest of allies with France may need to expunge from their memory certain unpleasant events of the past. In the run-up to the Iraq War, nationalist fervor expressed itself in no small measure through intense hatred of that very same country, which represented everything they despised: generous social-welfare provisions, (alleged) cowardice, an attachment to diplomacy and international institutions. House Republicans officially changed the name of their cafeteria’s French fries to “freedom fries.” France was the heart of what Don Rumsfeld derisively called “Old Europe” and the subject of a 2004 book entitled Our Oldest Enemy, authored by a senior editor at National Review. Its essential qualities were treason and cowardice, its outsize role in world affairs a tragic relic.

The highbrow version of this theory was elucidated by Krauthammer. “France pretends to great-power status but hasn't had it in 50 years. It was given its permanent seat on the Security Council to preserve the fiction that heroic France was part of the great anti-Nazi alliance rather than a country that surrendered and collaborated,” he wrote in 2003. “Why in God's name would we want to re-empower the French in deciding the post-war settlement?” he asked. It sought to form “a French-led coalition of nations challenging the hegemony of American power and the legitimacy of American dominance,” a treacherous scheme Krauthammer traced back to Charles de Gaulle. Now France is a “serious post-colonial power,” its decades of anti-American scheming forgiven and forgotten.

Little Nemo Meets Lieutenant Kijé -- Having fun with Kdenlive

Back in the late 90s, I picked up some extra money producing a set of videotapes to accompany a college algebra textbook. They were the most God awful things you ever saw, but the publisher didn't care as long as they had some kind of media to accompany their books and the check was large enough to pay off  the last 5K on my car.

Fifteen or twenty years ago, if you wanted to make a video, unless you had a tremendous amount of money and cutting-edge equipment, you had to do it linearly. Imagine three large, professional grade VCRs stacked on top of each other, two for the source and one for the recording. Next to that would be a large pile of tapes. For every shot you needed, you would have to dig through that pile, fast forward to the part you wanted, hit the preview button, make sure you had what you expected, then hit record.

And repeat. And repeat. And repeat.

That record button, by the way, represented a real commitment. This was linear editing. If you decided later to make a change at the beginning of the tape, you pretty much had to scrap all the work that came afterwards.


Now jump forward about a dozen years. You get a decent desktop computer for less than $300, spend another hundred on video editing software (or put a Linux based operating system on it and download an open source editor). You are now looking at perhaps a couple of orders of magnitude improvement in speed, cost, training and functionality. Shift your time frame a bit and you see the same jump across virtually all media.

Every now and then I do some video editing on my old computer which is currently running Windows/Kubuntu. I might put together some footage for a musician friend or just play around for my own amusement. I don't really know what I'm doing but the software I'm using -- Kdenlive (KDE Non-Linear Video Editor) -- is remarkably intuitive, so even after a year or so of inactivity, it takes very little time to get back up to speed.

As for the video above, I was looking through an online collection of  Winsor McCay's still stunning Turn-of-the-Century Nemo pages. As I was studying a couple of the winter-themed cartoons, Prokofiev's troika kept running through my head. I downloaded a public domain recording from the Internet Archive, did a rough storyboard then just started trying things.

Even among the free-software options, Kdenlive is probably not the best tool for making one of these pan and zoom videos, but it's more than adequate and it replaces what would have been hundreds of thousands of dollars worth of equipment twenty years ago.
I'm reasonably happy with the results, but that's not why I'm posting this.  The important point here is that what would have been a big, expensive project requiring trained specialists less than twenty years ago is now an afternoon project for a complete amateur using technology that pretty much everyone has or has access to.

We are living in what appears to be the second great media revolution. The first occurred around the turn of the last century when we actually learned how to record video and sound and how to transmit the latter (and made real strides toward transmitting the former). This is the lesser of the two revolutions, but not by that much. In terms of genuinely new functionality, it is almost impossible to beat that first surge, but in terms of cost, speed, portability and ease-of-use, we aren't doing bad at all.

This is not a post

Specifically this is not a post about Gerard Alexander's New York Times op-ed “Jon Stewart, Patron Saint of Liberal Smugness.”  Andrew Gelman just did a post on Alexander's piece over at the Monkey Cage, which is probably more attention than it deserves. For me to write another post, would require a careful rereading of the original op-ed to pick apart the rhetorical flaws and to select the most representative quotes. That's a lot of miles in the middle seat of the clown car (particularly when you aren't being paid for the trip).

So this is not a post. Instead, this is something of an unsolicited postscript to Gelman's post, especially this:

A characteristic feature of polarization seems to be the impression that one’s own side is reasonable and that all the polarizing comes from the other side of the political aisle.
I came across an amusing example of this today, ironically from a political scientist, Gerard Alexander, who, in an op-ed entitled, “Jon Stewart, Patron Saint of Liberal Smugness,” writes:

Many liberals, but not conservatives, believe there is an important asymmetry in American politics. These liberals believe that people on opposite sides of the ideological spectrum are fundamentally different.

This is just too perfect. It’s a beautiful paradox. If Alexander is right, then there is an important asymmetry in American politics, which is the thing that he’s saying conservatives don’t believe! If he’s wrong, then there is no asymmetry, which is what he’s saying conservatives believe in the first place. It’s like something out of Lewis Carroll.

And a bit later:

Also this, from Alexander:

My strongest memory of Mr. Stewart, like that of many other conservatives, is probably going to be his 2010 interview with the Berkeley law professor John Yoo. Mr. Yoo had served in Mr. Bush’s Justice Department and had drafted memos laying out what techniques could and couldn’t be used to interrogate Al Qaeda detainees. Mr. Stewart seemed to go into the interview expecting a menacing Clint Eastwood type, who was fully prepared to zap the genitals of some terrorist if that’s what it took to protect America’s women and children.
Mr. Stewart was caught unaware by the quiet, reasonable Mr. Yoo, who explained that he had been asked to determine what legally constituted torture so the government could safely stay on this side of the line. The issue, in other words, wasn’t whether torture was justified but what constituted it and what didn’t.

First off, let me say that this is a horrible thing to say about Clint Eastwood, who was never involved in this:

On December 1, 2005, Yoo appeared in a debate in Chicago with Doug Cassel, a law professor from the University of Notre Dame. During the debate, Cassel asked Yoo,

‘If the President deems that he’s got to torture somebody, including by crushing the testicles of the person’s child, there is no law that can stop him?’, to which Yoo replied ‘No treaty.’ Cassel followed up with ‘Also no law by Congress — that is what you wrote in the August 2002 memo’, to which Yoo replied ‘I think it depends on why the President thinks he needs to do that.’

A while back we opened up a thread on the distinction between ideological and partisan ("Let's see how many people I can piss off with this one: Fox News is not all that conservative"). This is a particularly telling example, a self identified conservative upset because a liberal media figure made a fundamentally conservative argument that happened to be at odds with the Republican partisan objectives of the moment.

Obviously there is room for disagreement here, but if we take a libertarian perspective (and libertarianism has largely become the most intellectually respected school of conservative thought) there is simply no way to defend the proposition that the government can do anything it chooses and violate any and every personal liberty as long as it is protecting the common good.

You would have to feel you had a pretty good case to call someone the "Patron Saint of Liberal Smugness" in the headline of an NYT op-ed, especially if you have some kind of reputation to protect, but the only substantive example Alexander gives is of Stewart not being all that smug to someone who's not being at all conservative. 

The weird thing about this is that Stewart is openly liberal and is often brutally critical of people arguing genuinely conservative positions. I'm not saying that Alexander was right, but he could have at least made a case had he used appropriate examples.The fact that he didn't, and, more pointedly, that he so completely mixed up concepts like ideology and partisanship is another indicator of just how confused the political dialogue has gotten.

Perceived value -- Vegas style

 Mark Evanier, who used to be a serious blackjack player, shares an interesting anecdote about casino economics.

In Las Vegas casinos, they have these things called "comps" which are not unlike the parting gifts you get just for showing up on a game show. If you gamble long enough, you can usually ask a hotel employee for a freebie: A free meal, a free show, a free t-shirt. If they get to know you as a frequent player/loser, you might be able to achieve an "RFB" comp, the "RFB" standing for "Room-food-beverage."

Let me explain how comps are dispensed. The folks who deal Blackjack (or run the crap games or spin the roulette wheels) work at groups of tables — usually four-to-six — and one low-level exec of the casino keeps an eye on the gaming at those tables and makes whatever decisions have to be made. Dealers never make decisions of any kind about anything.

In most hotels, the execs are officially called Casino Hosts but no one calls them that. They're usually called "Pit Bosses," hearkening back to the days when they were Pit Bosses. The difference between a Casino Host and a Pit Boss is basically the same as the difference between a sanitary maintenance engineer and a janitor.

One of the many responsibilities of a Casino Host is to keep an eye on who's losing and who's winning and to award comps to guests who are giving the hotel a lot of "action." If they start offering you "RFB" comps, it's because they figure to make a lot of money off you if you gamble in their establishment. They are usually not wrong.

...
Actually, comps create a strange situation in the fancier Vegas hotel restaurants, at least for those who are dining there and intending to pay. At any given time, most of those eating there are on comps. This means that the eatery has no incentive to price its meals fairly. There is, in fact, every reason to overprice. The higher the listed price of a comped meal, the bigger a "gift" it seems.

There's a story that has made the rounds of the gaming industry: One evening, following a rousing bout of losing at the Hacienda, a high-rolling outta-towner was comped to the dining room. He ordered, as most do, the most expensive item on the menu — a steak-and-lobster combo for $25.00.

A few weeks later, a Hacienda exec called the guy in his home town, inviting him to fly in again — all at the hotel's expense, of course. "We'll fly you in first class, put you up in one of our finest suites, comp all your meals, arrange ringside seats for the show…" (That should give you some idea how much they expected this fellow to lose.)

The high roller thanked him but said he was already flying in soon — as the guest of the Marina, across the street. "But why?" the Hacienda exec asked. "Didn't we treat you right when you were here? Remember that great steak-and-lobster dinner we comped you —?"

"Yes," he said. "But over at the Marina, they comped me to a thirty dollar steak-and-lobster combination."

That afternoon, the story goes, the price of the steak-and-lobster combo at the Hacienda was raised to $32.00. There was no change in the portion. They just raised the price.

I don't know if this is true, nor do I know the names of the hotels involved. I just stuck in the Hacienda and the Marina arbitrarily and because they're both defunct. But that kind of thing goes on with comps and the restaurants that redeem them don't care half as much about paying customers as the non-paying kind.

Everyone has an opinion on how to deal with Daesh*; people who read Robert Bateman have a more informed one

When it comes to military matters, no writer out there is more smart, sensible or knowledgeable than Bateman. He's yet another reason that Charles Pierce's blog is one of the handful I check on a daily basis. 

A Helpful Primer on 13 Military Terms


* And yes, there's a good reason for the name change.

"Who am I kidding? I mean, we all have strings."

The subject of motivational speakers has been coming up recently, so I just had to post this one.

Why I'm not writing a post on Napoleon Hill

When I write a post on a new topic I usually do a quick pass through Wikipedia and after about thirty or forty-five minutes (longer if I get distracted) of following the most reliable links I can find, I'm comfortable enough to proceed. That's not what you'd call thorough research, but combined with a pretty good bullshit detector, it's usually enough to provide me some level of protection against the really embarrassing errors.

Sometimes, though, no amount of online research will get me to my desired comfort level. Case in point, a recent John Oliver segment on televangelists lead me to this fascinating piece by Budge Burgess about Napoleon Hill, one of the most successful and influential self-help authors of the past hundred years and, if Burgess is to be believed, a serial fabulist.

On one hand, Burgess makes what seems to be a convincing case that Hill, rather than having been mentored by Andrew Carnegie, never actually met the industrialist, and that the secrets he claimed to have gotten from Carnegie, Ford, Edison, Rockefeller and the rest were simply made up out of whole cloth.

The trouble is that I can't find any outside confirmation, nor can I find anything about Burgess other than what's on his site. If I were a reporter for a highly respected publication like, say, the New York Times, I might be comfortable printing something without checking it out, but, as an obscure blogger, I don't have an institutional reputation to rely on, which puts the onus on me to check my facts.

This means that the Napoleon Hill post will have to wait until more facts come in, which is too bad because it's a fun story.

"I was the Duke"

I'm always on the lookout for interesting counterexamples to conventional wisdom in places like the Internet Archive. For example, this 1956 documentary from the wonderful CBS Radio Workshop provides a fascinating glimpse of what people thought of gangs and juvenile delinquency in the 1950s. It also contains a surprising amount of language that might get you in trouble with the FCC if you ran it today.

In the spirit of the day

The Night Gallery was a tragically uneven show, but it did have its moments, such as this Rod Serling adaptation of a classic Margaret St. Clair story directed by John Badham.

If you're going to do a series called "Smarter Every Day," you should probably try to be, well, smarter

Or at least better researched. Don't get me wrong -- I am entirely on this guy's side -- but this analogy for theft of non-rival goods is terrible.

"The Friends of Frank Fay."

I believe I've mentioned fairly frequently that I'm a fan of Kliph Nesteroff. Nesteroff is a writer and pop culture specializing in the middle half of the Twentieth Century. He has logged thousands of hours interviewing survivors from the era and his knowledge of certain areas goes down to the molecular, but he never sinks to the level off the fanboy obsessive who have come to dominate popular culture discourse. He's objective and scholarly (the article quoted below cites twenty sources) and always aware of the larger context.


All of this allows Nesteroff to consistently pull off something that most of his competitors try frequently with terrible results: he can use his specialized knowledge to tell us something interesting and useful about bigger issues like racism, censorship, the influence of organized crime in the mid-Twentieth Century (one of his specialties). For example, I knew that the Thirties was a period of intense extremism across the political spectrum, but I had assumed that during and immediately after the war, Hitler supporters would be keeping a low profile.


The Fascist Stand-Up Comic June 10, 2014

Frank Fay is considered the very first stand-up comedian. Prior to his emergence in the early 1920s, comedians accompanied their act with props and funny costumes. Even those without gimmicks rarely appeared onstage alone. Comedians had their punchlines set-up by another person, a straightman. To be a comedian meant you performed with the help of a costume or an instrument or another guy. “A comedian without a prop can’t click,” said actor Wesley Ruggles. “I learned that back in the days when I pushed the props around for Charlie Chaplin. Great pantomist that he is, Chaplin realizes the necessity of props.”

Frank Fay realized that as long as you knew what you were doing, as long as you had confidence in your material, props weren't necessary at all. The comedians insisting on props and costumes did so out of conformity or out of fear. Fay started with gimmicks like everyone else, wearing baggy pants, squirting seltzer, delivering straight lines for a comedian that circled him on roller skates - and he hated it. After humiliating himself onstage for two years, Fay decided to use the same persona he had offstage. No props, no costumes, no partner, he took to the stage wearing a well-tailored tuxedo and told jokes alone. It was so unconventional that The New York Times frowned: "“Fay needs a good straight man, as before, to feed his eccentric comedy." There was initial resistance to a man just standing and talking, but Fay's success would transform stand-up as an artform. Fellow comedians saw Fay succeed and they abandoned their props and emulated his style. Jack Benny, Milton Berle, Bob Hope and Jack Paar all cited him as an influence. Fay became one of the most influential stand-up comics of all time.
   
He was also comedy's most notorious racist. In January 1946, several months after Germany had been defeated, a rally of ten thousand white supremacists gathered at Madison Square Garden. They delivered speeches in support of Franco, Mussolini and their fallen hero Adolf Hitler. They promised that the defeat of Germany would not go unpunished. The podium was beneath a banner that saluted their guest of honor. The event was called "The Friends of Frank Fay."

…
People were resistant to hire him in Hollywood now that his anti-Semitism was famous. “In a business known for its lack of bigotry, he was a bigot,” said comedy writer Milt Josefsberg. “This was no secret, but widely known and well substantiated.” Fay married the struggling actress Barbara Stanwyck in 1928, before she found stardom. When she became famous, a joke about Fay made the rounds:

     Q: Which Hollywood actor has the biggest prick?
     A: Barbara Stanwyck.

While many celebrities distanced themselves from Fay, he found a friend in the popular radio commentator Father Charles Coughlin. Coughlin railed against “Jewish bankers” and spoke favorably of Mussolini and Hitler. His crusade against trade unions, social security and many elements of President Roosevelt's New Deal (Coughlin reportedly called it The Jew Deal) made him a hero to anti-Semites and a friend of Fay. Coughlin's political views would influence Fay in the years to come.

…

In 1944 he was resurrected by Broadway director Antoinette Perry, for whom the Tony Award is named. Perry cast Fay as the star of Harvey, a Pulitzer Prize winning play about an alcoholic that befriends a vision of an invisible rabbit. It brought Fay back to prominence and ran nearly eighteen hundred performances. He used his latest success to endorse Franco, Spain's fascist dictator.

At the end of 1945, several members of the theatrical union Actor's Equity rallied in favor of Spanish Refugee Appeal. Actors David Brooks, Jean Darling, Luba Malina and Sono Osato criticized the Spanish Catholic Church for executing leftists and campaigned to help Spanish leftists in exile. Fay was furious. He said their criticism was an attack on Catholicism as a whole. Fay demanded Actor’s Equity investigate each anti-Franco member for un-American activity.

The House Committee on Un-American Activities acted on Fay’s suggestion and the actors were vetted. The New York Times reported that Fay “held no brief against any member of [Actor’s Equity] for political beliefs. He resented, however, that Equity members should be party to rallies that condemn religious groups.” Equity president Bert Lytell objected to the political investigation. “Equity members have a wide latitude of interests and beliefs that they may practice and advocate as private citizens.” Actor’s Equity stood by Brooks, Darling, Malina and Osato. Rather than expel them from his union, Lytell censured Frank Fay for “conduct prejudicial to the association or its membership.”

…

In response to the censure, allies of Franco, members of the Ku Klux Klan and the American Nazi party organized a rally at Madison Square Garden in January 1946 called "The Friends of Frank Fay.” Speakers included Klan ally Joseph Scott, Nazi Laura Ingalls, publisher of anti-Semitic pamphlets John Geis, and the prolific Joseph P. Kamp, who had used the KKK's mailing list to distribute his work about “Jewish influence” and America’s “Communist President” Franklin D. Roosevelt.

"George" "F." "Will" is no David Brooks

When I write a post criticizing David Brooks (which around here pretty much equates to writing a post about David Brooks), I generally try to work in a positive comment about Brooks' talents. This may come off as damning with faint praise or even outright sarcasm, but I am being absolutely sincere. I have serious problems with Brooks' ethics, but great respect for his craft. He is capable of sharp and elegant prose and even when the writing goes pretentious and overripe (his epic mixed metaphors come to mind), it is still bad for a reason. Sometimes, muddled can pass for erudite, and erudition is an essential part of Brooks' likable professor persona.

To fully grasp how good Brooks is, check out the occasional George Will column. Taking on a Brooks piece can be like explicating a poem. You usually have to carefully unwind the arguments until you get to the fallacies or the subtle rhetorical misdirection. With Will, it's more like grading a stack of eleventh grade English papers (complete with pretentious but not quite apt language -- "The diaspora of Reagan administration alumni" -- and a totally gratuitous Great Gatsby quote).

Take the recent dust-up with Bill O'Reilly. Here's a representative excerpt (And yes, the overuse of quotes continues throughout the piece).

O’Reilly “reports” that the trauma of the assassination attempt was somehow causally related to the “fact” that Reagan was frequently so mentally incompetent that senior aides contemplated using the Constitution’s 25th Amendment to remove him from office. But neither O’Reilly nor [Martin] Dugard spoke with any of those aides — not with Ed Meese, Jim Baker, George Shultz or any of the scores of others who could, and would, have demolished O’Reilly’s theory. O’Reilly now airily dismisses them because they “have skin in the game.” His is an interesting approach to writing history: Never talk to anyone with firsthand knowledge of your subject.

It pretty much goes on like this.

I was tempted to say more about the style, but I think the English paper comment covered what needed to be said on that topic. Instead, let's focus on the rhetoric.

Argument by eye roll is seldom a good idea even when you have the weight of the evidence squarely behind you. If the points you're mocking aren't obviously wrong, the sarcasm will usually turn around and bite you.

In this case, Will is dismissing the assertions (in reverse order) that: Reagan was showing symptoms of dementia during his second term; and the onset was accelerated by the assassination attempt. It's entirely possible that both statements are incorrect, but they aren't so obviously incorrect that you can just mock and move on, particularly when it comes to the first assertion, which was around long before O'Reilly picked it up

Here's Charles Pierce (who has written extensively on Alzheimer's).

As it happens, O'Reilly's speculation is on solid scientific footing. Alzheimer's researchers and caregivers have known for years that physical trauma can worsen the effects of the disease. Certainly, the recent  research into the connection between head trauma and dementia backs this up, and I remember a fascinating Japanese study at an Alzheimer's research conference that I attended in Osaka that studied the effect of a massive earthquake in that country on Alzheimer's patients in the affected regions. In almost all cases, the disease accelerated.

...

I am not willing to go as far as O'Reilly apparently does, but I have believed—and written—for years that Reagan was a symptomatic AD patient at least throughout his entire second term. My initial concern in this regard arose in 1984, during Reagan's first debate with Walter Mondale, when he plainly did not know where he was or what he was supposed to be doing. At the time, my father was beginning a slow slide into Alzheimer's himself. I knew what I was looking at on TV—and so, I learned later, did Dr. Dennis Selkoe, a prominent AD researcher in Boston. Since then, accounts of Reagan's curiously vacant episodes have popped up all over various historical accounts, and personal memoirs, of the Reagan presidency. In the latter case, everybody from Ollie North to Lawrence Walsh mentions at least one moment in which the person who was Ronald Reagan disappeared right before their eyes. In an interview in 1999 for this magazine, John McCain told me of his experience at a White House dinner, when Reagan lapsed into some middle space of his own.


Why didn't anyone try to do something? Well, they did. In Landslide, the book Jane Mayer and Doyle McManus wrote about Reagan's second term, they begin with an account of a serious investigation by concerned members of the administration to see if activating the presidential succession process was warranted. It went nowhere.

And according to the New York Times on Mayer and McManus talked to lots of people with firsthand knowledge:

Ms. Mayer and Mr. McManus are both working reporters - she for The Wall Street Journal, he for The Los Angeles Times - and this is clearly a reporter's book, full of rich anecdote and telling detail. But it is also a hybrid, a somewhat awkward hybrid at times. The core of the book, written mainly by Mr. McManus, a foreign policy expert, contains an exhaustive account of the Iran-contra affair. The political side of the story, told mainly by Ms. Mayer, a White House reporter, sometimes takes second place. Still, I am impressed with the amount of inside information collected here. The Reagan White House has retired the trophy when it comes to news management - in covering the President for the last 20 months, I have been able to ask him exactly three questions - and any effort to shatter the protective shield so assiduously constructed around Mr. Reagan is an important contribution to our understanding of the White House.

Put bluntly, the man is not sharp enough to criticize a Bill O'Reilly book. 

I previously argued that David Brooks is very good at being David Brooks. By the same token, George Will is simply terrible at being George Will.

The Witch of November

Forty years ago today.

"Heathens don't amount to shucks alongside of pirates" -- understanding Ben Carson

One of the things I've realized watching the coverage of the Carson campaign is that almost none of the people reporting or commenting on the story have the slightest grasp of how evangelical culture works. For example, I've seen a great deal of confusion around Carson's insistence that he had a wild and dangerous youth, but if you know the Bible Belt, there is no mystery here.

Carson has built a lucrative second career and substantial political base on a brilliantly realized redemption narrative. These narratives invariably start with an unredeemed sinner headed for a bad end. The more lurid the sin, the more entertaining the story.

This is not a new development.


from The Adventures of Huckleberry Finn

The first shed we come to the preacher was lining out a hymn.  He lined out two lines, everybody sung it, and it was kind of grand to hear it, there was so many of them and they done it in such a rousing way; then he lined out two more for them to sing—and so on.  The people woke up more and more, and sung louder and louder; and towards the end some begun to groan, and some begun to shout.  Then the preacher begun to preach, and begun in earnest, too; and went weaving first to one side of the platform and then the other, and then a-leaning down over the front of it, with his arms and his body going all the time, and shouting his words out with all his might; and every now and then he would hold up his Bible and spread it open, and kind of pass it around this way and that, shouting, "It's the brazen serpent in the wilderness!  Look upon it and live!"  And people would shout out, "Glory!—A-a-men!"  And so he went on, and the people groaning and crying and saying amen:

"Oh, come to the mourners' bench! come, black with sin! (Amen!) come, sick and sore! (Amen!) come, lame and halt and blind! (Amen!) come, pore and needy, sunk in shame! (A-A-Men!) come, all that's worn and soiled and suffering!—come with a broken spirit! come with a contrite heart! come in your rags and sin and dirt! the waters that cleanse is free, the door of heaven stands open—oh, enter in and be at rest!" (A-A-Men!  Glory, Glory Hallelujah!)

And so on.  You couldn't make out what the preacher said any more, on account of the shouting and crying.  Folks got up everywheres in the crowd, and worked their way just by main strength to the mourners' bench, with the tears running down their faces; and when all the mourners had got up there to the front benches in a crowd, they sung and shouted and flung themselves down on the straw, just crazy and wild.

Well, the first I knowed the king got a-going, and you could hear him over everybody; and next he went a-charging up on to the platform, and the preacher he begged him to speak to the people, and he done it.  He told them he was a pirate—been a pirate for thirty years out in the Indian Ocean—and his crew was thinned out considerable last spring in a fight, and he was home now to take out some fresh men, and thanks to goodness he'd been robbed last night and put ashore off of a steamboat without a cent, and he was glad of it; it was the blessedest thing that ever happened to him, because he was a changed man now, and happy for the first time in his life; and, poor as he was, he was going to start right off and work his way back to the Indian Ocean, and put in the rest of his life trying to turn the pirates into the true path; for he could do it better than anybody else, being acquainted with all pirate crews in that ocean; and though it would take him a long time to get there without money, he would get there anyway, and every time he convinced a pirate he would say to him, "Don't you thank me, don't you give me no credit; it all belongs to them dear people in Pokeville camp-meeting, natural brothers and benefactors of the race, and that dear preacher there, the truest friend a pirate ever had!"

And then he busted into tears, and so did everybody.  Then somebody sings out, "Take up a collection for him, take up a collection!"  Well, a half a dozen made a jump to do it, but somebody sings out, "Let him pass the hat around!"  Then everybody said it, the preacher too.

So the king went all through the crowd with his hat swabbing his eyes, and blessing the people and praising them and thanking them for being so good to the poor pirates away off there; and every little while the prettiest kind of girls, with the tears running down their cheeks, would up and ask him would he let them kiss him for to remember him by; and he always done it; and some of them he hugged and kissed as many as five or six times—and he was invited to stay a week; and everybody wanted him to live in their houses, and said they'd think it was an honor; but he said as this was the last day of the camp-meeting he couldn't do no good, and besides he was in a sweat to get to the Indian Ocean right off and go to work on the pirates.

When we got back to the raft and he come to count up he found he had collected eighty-seven dollars and seventy-five cents.  And then he had fetched away a three-gallon jug of whisky, too, that he found under a wagon when he was starting home through the woods.  The king said, take it all around, it laid over any day he'd ever put in in the missionarying line.  He said it warn't no use talking, heathens don't amount to shucks alongside of pirates to work a camp-meeting with.

Groo

Mark Evanier, who co-writes Sergio Aragonés' successful and long-running comic series Groo, shares an interesting anecdote about the origin of the book. [Emphasis added]

Today, there are these things called "creator-owned comics," meaning that the writer and/or artist own(s) the comic, not the publisher. In the early-to-mid-seventies, as Señor Aragonés was doodling out his ideas for Sergio-created comics, there was no major American comic book publisher who was willing to publish a creator-owned comic. In fact, some even told you it legally could not be done.

I'm not kidding about this. There were writers and artists who created comics and had — or felt they had — no avenue but to hand All Rights over to the company in exchange for no credit, no ownership, no royalties. They got work doing the comic, if that much. Some tried to dicker — and they didn't even want full ownership…just, say, 20%. And they were told, "No, we will never in a zillion years make a deal like that." Sergio showed Groo to one publisher and was told, "Great…but we legally have to own it. You, as an individual, cannot legally own a copyright. It's invalid unless it's in the name of a company like ours."

Sergio knew that was wholly untrue. I wonder how many other writers and artists who heard that speech didn't.

Both Joseph and I have been over this a number of times, but for those just tuning in, intellectual property laws basically amount to government-granted monopolies. These monopolies can be enormously beneficial both to creators and to society as a whole, but there's also a huge potential for abuse, particularly on the part of those buying the work of the creators.

You often have actual or near monopsony conditions. Add to that large asymmetries in information, power, size, liquidity and legal resources. Strengthening and extending copyrights and patents is often presented as something that is uniformly good for those who actually come up with the artist works and technical innovations being protected, but if those creators are not adequately protected, stronger IP laws can simply provide more incentive to screw them over.