A music historian I know speaks eloquently about this very long piece (the first ten minutes of which can be heard here). He has listened to most if not all of the piece (I did mention it was long, right?) and he says the key is letting yourself give in to the pace of the music, though I suspect that his complete familiarity with the composition being adapted helps a bit.
If you're interested in classical or experimental music, take a listen at the link above then click here to see what you've just heard.
No comments:
Post a Comment