Movies in the modern age

This is Joseph, trying something new.

I was very interested to read this piece on the focus on sequels:

I believe that what studios see when they look at the bumper-to-bumper barricade of a 2015–20 lineup they’ve built is a sense of security — a feeling that they have gotten their ducks in a row. But these lists, with their tremulous certainty that there is safety in numbers, especially when numbers come at the end of a title, represent something else as well: rigidity and fear. If you asked a bunch of executives without a creative bone in their bodies to craft a movie lineup for which the primary goal is to prevent failure, this is exactly what the defensive result would look like. It’s a bulwark that has been constructed using only those tools with which they feel comfortable — spreadsheets, P&L statements, demographic studies, risk-avoidance principles, and a calendar. There is no evident love of movies in this lineup, or even just joy in creative risk. Only a dread of losing.

I must admit that is interesting that the Lord of the Rings and the Hobbit became a six movie extravaganza and that the Marvel/DC comic book movie line-up is . . . daunting.  Sure, some of these movies are surprisingly good (see the latest X-men movie).  But the focus on doing more of the same is exactly what led to a long period where TV was pretty much a dead art form.  Now roles are reversed, and it might well be that movies have a long slump before something new and daring pops up.