No, really. This post by famed sitcom writer/producer/director Ken Levine illustrate how infectious laughter follows some of the same rules as other infectious phenomena.
Comedy plays better in confined spaces. Laughs are louder when they don’t drift away.
Now you may say this is a superstition and I just want to be near that massage parlor, but (1) they don’t give group on’s, and (2) being in close quarters amplifies the laughter and laughter is infectious.
Whenever a sitcom episode goes into production the first order of business is a table reading. Several large tables are set up, the actors sit across from each other and read the script aloud as the writers and executives sit around them. Many shows I’ve worked on just hold their table readings right on their cavernous sound stages. On shows I’ve produced I insist we hold the table readings in conference rooms. Yes, it’s a little cramped, and chairs are pushed up against walls, but the difference in the reaction is startling. Laughs are so much bigger when you’re not at the bottom of the Grand Canyon. Jokes are so much funnier when they don't echo.
Lest you think it’s just me, the table readings for CHEERS, FRASIER, WINGS, THE SIMPSONS, and BECKER were all held in conference rooms.
Levine also addresses the question of whether you should initially test a concept under overly friendly or overly hostile conditions.
Do we get an unfair reading as a result? Do the scripts appear funnier than they really are? Sometimes. There are producers who won’t change jokes later if it worked at the table reading. I’m not one of them. If a joke doesn’t work when it’s on its feet I cut it. Table readings can always be deceiving.
But way more often, I’ve seen bad table readings done on the stage then gone back to the room and changed the shit out of the script. Later that day we'd have a runthrough of the original table draft and 70% of the stuff we planned to cut suddenly worked.
I’d rather err on the side of the table reading going well. Especially since you have the network and studio there as well. The less nervous they all are about the script, the better it is for all concerned.
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